The prince of haute couture, who died in June 2008, is the star of a Petit Palais exhibition that has had Parisians standing in line around the block. A year after many of his (and partner Pierre Berge’s) possessions were sold in the biggest single-owner auction of all time, the French designer retains a near-Messianic appeal for some.
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Curators have avoided that faded look by designing the exhibition as if it were a fashion show or a film set. The first big room of Saint Laurent garments has a catwalk-like corridor running down the middle; as you walk up it, mannequins peer at you from either side. The spectacular final room of evening dresses -- a wide, red-carpeted staircase of gowns, plumes and bows -- might be a scene out of "My Fair Lady."
Through it all, the shy man with the fancy initials comes across as a bad boy who taunts the women he clothes. Though he designed mainly for the elite, he kept a close eye on the street, and redefined women’s wardrobes as lastingly as Coco Chanel did before him.
Appointed Dior’s head designer in the late 1950s, he topped off his timelessly elegant collections with a black bomber jacket of mink and crocodile skin (on view in the exhibition) -- a cheeky tribute to Marlon Brando in "The Wild One"(1953).